Monday, January 10, 2011

Invisible Cowboy at Ruby's Roadhouse: An Americana Sampler by Patty McGehee

Invisible Cowboy at Ruby's Roadhouse: An Americana Sampler

by Patty McGehee on Monday, August 9, 2010
Dan and I got over to Ruby's kinda late but still had enough time to visit with lead singer Patrick Catania. We discussed what concerts we all three had been to lately. Patrick had gone to see Ringo Star, Dan had gone to see Robert Plant, and I had gone to see Sons of Voodoo and The Canes.

The crowd was sparse that night. Most of the crowd were unsophisticated and kept requesting cover songs that Bag Of Donuts plays all the time. Bad 80's cover music. Invisible Cowboy is better than that. Patrick and Chris have a knack of picking their covers, then arranging them so it becomes their own. Patrick also writes some wonderful original songs. The real music heads usually found at Ruby's were headed out of town to Grande Isle for that festival and no where to be seen. Or maybe they were at home getting ready for that tropical storm. Mandeville is right on Lake Pontchartrain and many people may have been securing boats and such.

We did not stay for the whole show because Dan was exhausted. That was not fun for me because I am a trooper and usually stay go to the end of the show. Invisible Cowboy usually gets wound up and better as the night wears on. They save their Rockabilly stuff towards the end of their show and I did not get to see what I wanted to see. The best songs of the night were: "Broken Glass, Shaky Pudding, and Ghost Town." Patrick channeled Johnny Cash in "I walk the line..." It was wonderful because Jim Ricketts had a bass line that stole the show. At first I thought it was the guitar and I got up and went closer to the band and realized it was the bass that was so good.

All of the arrangements were sophisticated and well thought out.

Chris Zimmer always wows me with his guitar work. He plays harmonic notes and weaves them into the mix, which always does "something" to me. Patrick has a great range and versatility in his voice. Chris Tucker plays drums well, sings awesome background vocals, and plays a mean harmonica.

Ruby's has too much cigarette smoke to make it a comfortable place to go to for me and I found it hard to hang in there. I looked over on the bench where Dan was and he was actually nodding off so I decided to take him home so he could rest.
It was worth the drive over and I was glad I went.




Chris Tucker

Chris Zimmer
Jim Ricketts
Patrick Catania

Michael Juan Nunez and The Riverbaby's at The Blue Moon in Lafayette La.

Michael Juan Nunez and The Riverbaby's at The Blue Moon in Lafayette La.

by Patty McGehee on Monday, August 9, 2010
The weather was hot as hell, but by 8:00 in the evening, with the fans blowing inside The Blue Moon, it was not too bad after all. As usual, we got there in time to watch the set up. Dan and I found it interesting that The Blue Moon had as many remote microphones as they did and used them on the drum kit. We were hanging around when an old friend walked in and it was good to catch up.

Juan came in a bit later and we introduced ourselves to him. I had never met Juan in person before so that was exciting for me, because I wanted to ask a thousand questions. I asked him to show me his guitars and tell me about them, because they looked very interesting to me. Two were extra special so I will focus on them.

Juan showed me a red hollow body Gretsch Electromatic guitar. I commented that it looked vintage and I asked him where he got it. He said Drew Landry gave it to him as payment for work done for him. I teased him about the yarn that was being used to extend the guitar strap. He laughed good naturedly about that. He held it up so I could get a good look at it. It is a neat guitar.

Then he showed me a special guitar that was given to him by luthier James Tussart. It was metal bodied, painted white, with special decoration in metal that was etched with an embossing of Alligator skin. Since I know all about etching metal ( from my printmaking training creating copper plate etchings) so this was very interesting to me. I was interested in Juan's explanation of how James Tussart tells people how he etches the steel, but I suspect it is a lot more controlled than he admits. Juan said he left the steel to rust and it took on the Alligator texture. I THINK he coats it with a resin, stamps it like a soft ground etching is stamped and THEN lets it rust. Then he must clean it up, decorate it with color rubbed into the etching, and then seals it with some sort of clear coat. I doubt it was all just done by chance the way Tussart tries to claim to the public. Since I have a thing about metal guitars this made me really want to hear what kind of sounds it could make.

I asked Juan who was his favorite guitar player and he talked about getting to see Johnny Winter and that his life was CHANGED after seeing Johnny play. Then I told him all about seeing Johnny play at A Warehouse on stage with The Allman Brothers when Duane and Berry were still alive. They played a killer version of "The Seventh Son" that has rung through my memory banks for years over and over again. What a night!

After asking him about 20 more questions that are probably only of interest to me, I had to let Juan get finished getting set up, so I thanked him for showing me the guitars and retreated to sit on the bench for a while and visit.

I did not know what to expect since most of the music I have heard Juan playing was stuff in support of other musicians. He has toured with Zachary Richard and others, and has done a lot of studio work. I have seen him on stage before with Roddie Romero and the Hub City Allstars. So now, I was ready to hear what his self directed creative side was like.

So, it unfolded like this: Two hours, and a half, high powered rock. The sound was very unique. This kind of sound took me back to popular 3 piece bands of the 70's in some ways, but it was not 70's in style, just intensity.Some of it was Blues oriented but not all of it, which surprised me after hearing Juan 's comments about Johnny Winter. I was floored when he threw his guitar into the amp to get a re-verb effect. Such Passion! In many places the Bass was astounding. The drums were strong and well arranged.

The towards the end of the show, they covered "Walk On Gilded Splinters." This was a great song, made very psychedelic and spacey. I loved it. I was able to get some really fine photos of this show. I look forward to seeing Michael Juan Nunez perform again sometime soon. He really shined when he was doing his own songs.

It was a good night. I was happy we had seen the show and will recommend anyone who asks about the Riverbaby's to GO SEE THEM!!!



Juan with the hollow body Gretsch .
In action with the custom built James Tussart metal guitar - such a sweet sound, er, um, POWERFUL sound!
up close-look for the Alligator motif
Drew Landry stopped in to see the action!
Creating re-verb photgraphed by Patty McGehee
Trio- Bass player Chad Willis kicked ass
custon James Tussart metal body guitar
Jeff Lewis - WOW!
A sweaty Juan and a sweaty me pose for a picture after the show.

In Search of the Holy Grail of The Blues: Delta Moon in Birmingham Alabama by Patty McGehee

In Search of the Holy Grail of The Blues: Delta Moon in Birmingham Alabama

by Patty McGehee on Wednesday, August 18, 2010 at 5:59am
Our Dear friend Larry, who is a music fanatic, especially interested in guitarists of the blues type, brought over a CD one day a while back. It was a disc that wowed me. It was Blues, but there was this  undercurrent of some Celtic rhythyms that bubbled up in the mix that wowed me. In particular, it was this  this song by Delta Moon named "Clear Blue Flame" which jolted me into an upright position and woke up all my sensibilities towards searching for a way to view them at a live show.   This CD  stole all of the air space coming out of my CD player for quite a while. The more I listened to it, the more hooked I was. I HAD TO GO SEE THEM. But, Delta Moon is based out of Atlanta and rarely comes this way.

I recalled a Dr John show which listed them as the opening act, somewhere in the past, but tried and tried to remember when and where. It was no use. I have a regular habit of scouring  the local listings from certain venues. It ranges from Austin to NOLA and North to Memphis. The Austin gigs are pure fantasy for me. I just don't think we could get there  in a weekend and be rested for regualr life. I usually avoid other places because I find it nearly impossible to travel there. But this was different. This band does not play in these venues.

Usually, our plans work like this: I research the shows, tell Dan what is where, and on Thursday nights we make a plan of action together.  The plan HAD been to go to Lafayette, Louisiana to see The Canes and Kevin Sekhani on Saturday night. Instead,  Dan awakened me at five AM on Saturday morning to ask me if I wanted to go to Birmingham, Alabama to see Delta Moon. (I thought it was still Friday night since it was so dark in the bedroom!) I was groggy and still asleep, so when I fully awakened and  saw the listing still up on the computer monitor, I started researching the venue, the time, the weather, and  the cost. It all sounded doable.

I soon realized that it would be raining up in Birmingham and the venue seemed to be an out door event, so I started e mailing people in Birmingham. First Karla, and then Tim Day  from The Magic City Blues Society  promptlly emailed me back, as well as drummer Darren Stanley. BINGO! I found out that the gig was in a bar in Downtown Birmingham.

So, I got bathed and dressed, and packed a bag and waited for Dan to get in from his golf game. At exactly 12:00 noon we were pulling out of the driveway headed towards Birmingham, Alabama. The plan was to catch the show and get a place to stay at overnight and drive back Sunday.  We spent the drive listening to CD's and talking, looking at the counryside through rain soaked windshields and windows. It was a pleasant ride. We found Matthew's Bar and grill  easily. We got soaked as it started to rain as we walked from the car to the door of Matthew's. I was pleased to find no cigarette smoke inside the venue.

Matthew's was very comfortable and clean. We walked into the bar area and a very friendly lady told us the Junkyard Jam was in the adjacent room of the building. This was in an old downtown building that had been renovated to show the old brick and it had the high ceilings with the industrial look to it. Everything up on the ceiling was painted black and the acoustics were very good. We paid for our armbands and walked into a room filled with people sitting at tables. There was no place to sit, but a man approached us and gave us chairs from a cabinet and told us to sit anywhere we wanted. So, we went front and center  and sat down. A band was on stage. The man that gave us the chairs came back and put a long table down in front of us. This was a treat and it must have seamed to the rest of the crowd that we were "special."  If that is how people treat everyone in Birmingham, I LOVE BIRMINGHAM! A lady from the crowd behind us asked him to not  add any more tables after that so there would be a dance floor left, and he said OK. I felt like we had intruded in a way, without meaning to, but we had not asked for the table so I just settled in to watch the show.

We had missed The Thomas Henry Band and Roszetta Johnson got up and did a set. It was a fun show to see, and it was a kind of Blues new to me. She was backed up by Cleveland Eaton and the Alabama Allstars Band. They were a standard blues outfit and Rosetta had a fine voice. It was a bit too much like Church music for my liking. Not much grit. But, Rosetta is getting on in years,  and I had respect for her.

People came and sat at our table with us. Two ladies who were teachers sat there, and then Mick Pocus, a member of the Magic City Blues Society also came and sat down. He brought with him the friendly lady that I had met earlier in the bar who showed us where to go to get our armbands. We visited  during take down and set up.

Delta Moon got started and the first song they did was "Tilt a Whirl."  They did not disappoint. From the start of the show to the last note, all was perfection. The set up was like this: Tom Gray on Lap steel guitar, Mark Johnson playing a Fender Strat, (and another strange instrument I did not recognize, and an unusual  red guitar,) Darren Stanley on drums, and Franher Joseph on killer Bass.

Tom Gray was the focus with soulful vocals. He played the lap steel guitar while Mark Johnson played slide. The two played as if one, riffing off each other. It was spectacular. Tom's voice has a gruff edge to it that I really like. It emotes feeling and conviction. His performance was better that I had hoped for.Two songs stand out in my memory: "Clear Blue Flame," and "Jessie Mae."

Just before playing "Clear Blue Flame," Tom talked about moonshine and how it was a "fixture" in parts of Georgia. He said, "My Uncle Jack, who lives in the part of town called Cabbage town, told him that Red means you're dead from lead, but good moonshine burns with a clear blue flame." Tom took out the white Gibson Strat that Mark had been playing awhile  before and put the lap slide up for this one. It was incredible. That Celtic vibe was wound inside and out of the slide and mesmerized me.

People started to get up and dance during the remainder of the show. They were having fun. Dan and I got up for two songs and danced a bit. The people there warmed up to us a lot after that. We met quite a few people. Mick introduced us to the President, Paul Walters, who was dancing up a storm on the floor. A lot of the music had that Hill Country Blues feel but with the addition of what I call, a Celtic  rhythm undertone.

"Jessie Mae" provided an opportunity for the Bass to shine. Throughout the show, the drums were really good, strong, and timed just right. The end off the show provided the call back of the band and at the end of the  gig, they came down off the stage with  a tamborine,  two drums,   dancing  around the room.  In NOLA, a second line would have formed. But not in Birmingham.

After the show was over I went to meet Tom right away because I wanted photos. I was not sure if the band would hang around for long. He was sweet and posed and then I told him we had come form Ponchatoula to see them. I think it was Tim Day who came up and told Tom I was the "lady that e mailed us this morning." So, we visited for a while. He asked us how we had heard of the band and  we told him. Darren came up and I talked to him for a while. ( He is AS TALL AS CHRISTIAN SERPAS!!)  Dan asked them if the show in Alabama coming up on the 25th was open to the public. They said yes. Dan told them we would come over there on the 25th to see them again.

We left Tom and Darren alone to do take down for another show coming in that night. I wandered over to meet Mark, who was sititng by the door. Dan and I spent about 20 minutes talking with Mark and  people from The Magic City Blues Society. I got to meet Karla in person, the lady who e mailed me that moring. Tom came over and asked Mark to come help take down so we felt we were in the way. We chit chatted with the Magic City Blues Society members and thanked them for sending the e mails so quick so we could come. They were extremely nice and we finally felt the need to move on. It was an awesome time and it was hard to tear ourselves away from so many kind, considerate people.

We headed out the door to drive off into Birmingham in search for food to eat. It was getting late and Dan was picky. We wound up going to a Taco Bell. I wanted to stay the night. Dan wanted to drive back. I felt wishy washy about it and allowed him to drive us back, a decision I regretted as the night wore on.  I found the ride back miserable. My back began to  ache  and from  1:00 am 'till we drove into our drive I had back pain. At one point, I got out and stretched and found a beach towel in the trunk to use as a pad under the small of my back and the stiffness  eased up a bit.

It was not too bad, after all.  I got in bed at 4:00 am and slept well until 9:30 am. My tired back pain vanished and  I felt quite rested.  After grocery shopping, cooking, and writing lesson plans, I faded and the lack of sleep caught up with me. I had to crash after work on Monday. Now, I am looking forward to going to see them on the 25th.

I f you get the chance, get these two CD's:  Delta Moon," Hellbound Train," and Delta Moon  "Clear Blue Flame."
Tom Gray
Roszetta Johnson
Franher Joseph on Bass
Mark Johnson and Darren Stanley
Patty and Tom Gray
Patty with Mark Johnson
Patty with Darren Stanley
· · Share · Delete

    • Mary Gale Patty, you wrote "They did not disappoint." I have to say this is how I feel about you and your notes. I look forward to each and every one. You are a true fan. You write with soul, depth, and truth. Thanks once again for taking me to a fantastic show!
      August 18, 2010 at 7:12pm ·
    • Patty McGehee The people in Birmingham were awesome! I loved them. They seem to have quite a nice group[ of people in the Magic City Blues Society that are all friends and work together to have fun and see killer Blues.
      August 19, 2010 at 5:47am ·
    • Mary Gale We have a Sacramento Blues Society. It's pretty active. I recently went to a show with John Lee Hooker Jr. put on by the society. Small group in the club, but it was a great show.
      August 19, 2010 at 9:51am · · 1 personLoading...
    • Tom Gray Patty, thanks for the nice write-up. You were never in the way! I'm sorry I ever gave you that idea. I was just trying to get some work out of Mark.
      August 19, 2010 at 6:54pm ·
    • Patty McGehee Actually, we were in the way of the people trying to shut down the place for the next show. Mark was sitting in the doorway and everyone trying to go in and out with empty beer bottles, cups, and debris were trying to go in and out of the door! LOL!

Gumbopalloza at Gumbo Phil Daigle's by Patty McGehee

Gumbopalloza at Gumbo Phil Daigle's

by Patty McGehee on Wednesday, September 15, 2010 at 9:16pm
I was hanging around in FB when I got a message about Gumbopalloza. Was I going? Well, I searched the web trying to find out where it was to no avail. I sent a message to Kevin asking, "Is it a private party? I don't want to crash a private party."  Juan sent me a message and says, "It is public." Gumbo Phil and I had been My Space friends a long time ago but we had never met in person before. So, Dan and I decided to go over there. I get directions from someone and off we went  driving over to Gumbo Phil's house, which is tucked away on the back  side of  truck stop. As he explained it, his house is  "Hidden away like Batman's cave."

Gumbo Phil came out to the the parking area to greet us as we drove up.  He was very nice and welcomed us. At first I was feeling  awkward because it seemed to be a privite event. I felt like I may be "crashing" uninvited. But Phil embraced us with open arms and we got our lawn chairs out of the car and settled in to hear the music. After a while, Phil came out and gave the me grande tour of his home and I felt all trepidation melt away. We settled in for a fine afternoon and evening of spectacular live music.
When we arrrived, Rick Hebert's band was playing some really good 60's covers that was fun and well done.
Then Greg Mouton was up with Benny Bernard and they were fun.  Kevin Sekhani played accompanied by Michael Juan Nunez, Greg Walls, Chad Willis, Blake Simon, and Ester Tyree. As darkness fell. King Alexander on blues harp played with his brother on electric piano.
As darkness fell. King Alexander on blues harp played with his brother on electric piano. Then Drew Landry played.

I met Phil's wife Summer and we made friends. Over the course of the afternoon and evening, a lot of people I was aquainted with came to play music and eat Gumbo. First  Kevin Sekhani arrived with Greg Walls. Then Drew Landry, Chad Willis,  and Michael Juan Nunez showed up. On hand was King Alexander, harp player,  and others...I am sorry, but I did not learn the names of all of the performers that played.
Dan and I slipped off to go see Michael Juan Nunez play at Somewhere's Else. The mosquitoes were biting my feet .....I was aware that I was missing out on some more fine music that was to come, but Juan mande up for that by his performance  later on  that night. (More to come about that show soon...)

Patty McGehee

Summer and Patty
Rick Hebert photo by Patty McGehee
Greg Mouton and Benny Bernard of Red Dawgphoto by Patty McGehee
Greg Walls photo by Patty McGehee
Kevin Sekhani
Chad Willis and Blake Simon photo by Patty McGehee
Michael Juan Nunez with his guitar with the frattoire attached, made by T Don Landry
photo by Patty McGehee
Drew Landry photo by Patty McGehee
Esther Tyree photo by Patty McGehee

For the Gulf

For the Gulf

by Patty McGehee on Wednesday, September 22, 2010 at 11:09pm
CC Adcock organized one of the most wonderful evenings out at the Acadiana Center for the Performing Arts Grande Opening to raise Money for  Gulf Aid of Acadiana.  Charlie G's, I Monelli, & Chef Pat Mould provided food and libations. Everything was tasty and the music was spectacular. The new facility has  pristine acoustics.

I had a new friend arrive on Friday to share this event with us. Mary Gale arrived on Friday night to go with  us.

The three of us got dressed up and arrived in Lafayette with a half hour to spare before the doors opened. We walked down the street to Pamplona Tapas Bar and had a wonderful glass of Sangria while discussing  what was in store for us. At 6:30 we walked down to the Acadiana Center for the Arts and were greeted on the street by Roddie and Billie Romero.  Billie was dressed in a very chic  dress with a tied ribbon hem that was darling.  We chatted for a moment and wandered inside. The front of the building is a lovely wall of glass. We were ushered into the building to claim our will call tickets which told us what seats we were to sit in. Valerie Gonsoulin was there to greet us and it was a pleasure to meet her in person.

Mary had previously met James and Claudine Tussart before and graciously introduced me to them. James had donated one of his hand made guitars to use as a  fund raiser during a silent auction. I believe it sold for 6 thousand dollars during the evening. The cocktail party before hand included food from Charlie G's, I Monelli, and Chef Pat Mould. I was served some wonderful crepes and a savory crawfish pasta dish. On hand were quite a few of my musician aquaintances.  I got to talk to and visit with some wonderful people. As usual, Eric Adcock gave me a kiss on the cheek.
After eating, the lights in the hall dimmed signaling us to enter the  performance hall. I was astonished to find out that my seats were in a special place so I could take photos. I don't know why, but someone was my angel and sat me in the very front  at stage level in what I would call, perfect seats for a photographer. In fact, the two photographers that were shooting came and stood right by me to shoot.

The show was stellar with no unruly crowd noise and we were able to hear every nuance of the performance in clarity! The new facility has  pristine acoustics and it was a delight to hear Sonny Landreth's incredible guitar work without the noise that usually goes along with his shows in other venues. CC Adcock stole the show with an acoustic rendition of "The Last Hayride" and his performance duo with Ani Defranco was outstanding. Zachary Richard stole my heart again with his song "Last Kiss." Legendary Marianne Faithful ended the show with her fiery voice. All in all, it was a stellar, memorable night.

During the intermission I was able to visit with guitar player Bruce McDonald and photographer Erika Molleck Goldring. I had   previously met Erica   at Tipitina's music workshops for Children. Mary was meeting EVERYBODY! That gal is a whirlwind of social hob knobbing! I was impressed.

I felt very satisfied just to hang back and survey the whole scene. I met a few new people, visited with some others. I decided to go back into the theater before they returned after intermission and Drew Landry came down from above to talk to me  about the impact he has been making  exposing the REAL damages imposed by the oil spill, not the Watered down fake reports being televised by the government. I told him I was impressed about the things he and Sherri have accomplished. He was in a whirlwind of socializing and I felt honored that he took the time to come over and tell me hello. He gave me a quick hug and was off running to hob  knob some more.

I was fiddling with the camera and having a hard time. I knew that I should not use the flash to interrupt the show so I hung back. I was getting terrible no use shots and I was very disappointed. The lighting was great for the show, but bad for camera work. I waited until the audience was told they could come up to the front at the shows end to use the flash. It was one of the poorest shoots I have ever had.
I hope my regular readers are not too disappointed.
See ya later, alligator,
XXOO
Patty









James and Claudine Tussart and Patty McGehee
Photographer Erika Molleck Goldring and PattyMcGehee
Patty and Mary Gale
Photo by Dan
James Tussart metal hand crafted guitar Photo by Patty McGehee
Sonny Landreth
Photo by Patty McGehee
Sonny Labdreth and
C C Adcok
Photo by Patty McGehee
Dickie Landry
Photo by Patty McGehee
Sonny and CC
Photo by Patty McGehee
Ani Defranco, Dickie Landry, and CC Adcock
Photo by Patty McGehee

Is it Feaux Blood or Faux Blood???? A foray into "English Territory" Louisiana on Halloween by Patty McGehee

Is it Feaux Blood or Faux Blood???? A foray into "English Territory" Louisiana on Halloween

by Patty McGehee on Saturday, November 20, 2010 at 7:11pm
Dan  and I drove  off to St. Francisville Louisiana at 9:00 am on Halloween morning. The weather was perfect. We were headed to the Feaux Blood Festival at Magnolia Cafe. We got there about 11:20 am and we went into the cafe and had a wonderful meal. Dan had fish and I had a California inspired BLT with sprouts and Avocado on it. It was wonderful.

The stage was set up in the center of the old Magnolia Motor Courts that were built for the tourist industry, probably in the 1920's. The backdrop over the stage had FAUX BLOOD I  painted on it. I thought we were going to the FEAUX BLOOD I  Festival! I guess "English Territory Louisiana " does not know how to spell using "Cajun" French language! I got a kick out of that! The place is cute and well maintained. We set up chairs just to the right of the sound booth. There was NO ONE there, except for the musicians themselves. I walked around and visited for a moment with Jace Everett and had a photo  taken with him and Chuck Profit.

We settled in and just lazed in the lawn chairs enjoying being outside.  After a long while, maybe an hour or so, Joe Hall  from Lafayette got up and did a set on squeeze box.  At first, I was disappointed because I had read that Mitch Reed was going to be there and the fiddle player was not as as good a Mitch. (Maybe he was a STUDENT of Mitch Reed's.) He definitely was a beginner, but I praise him for getting on stage and doing it! Joe Hall sang a very fun song about two dogs named Dixieland and Fido. I loved it! I told Dan, if I ever get another dog, I would name it  Fido and spell it the French way, Phideaux.

Then Jeff and Vida got up and wowed me with their Bluegrass set. They used to play around a lot in our community but I was never able to get Dan to go see them. After watching their set, he admitted that he really loved them. After they performed, I bought their two CD's and talked to them a while. They were really nice people. Vida has a stellar voice and her timing is perfect.

CC Adcock, Hart Fortenberry, and Cedric Watson arrived and got set up to do a duo. Hart was along as roadie as usual.
I talked to him for a few minutes about New Orleans music. We had a nice visit.

Cedric and CC put on a sweet set, with Cedric filling out the fiddle part on "Runaway life."  It was sweet, but my favorite was "The Last Hayride."  It was very enjoyable.

Jace Everett was up and he put on a great set, very powerful. It was fun to watch his facial expressions and his intensity. His style of music is seldom heard here in Louisiana, so it was a treat for me.

Chuck Profit's set was awesome, with CC sitting in towards the end. I enjoyed it immensely. I am not sure if St. Francisville was ready for the use of the F word  on stage or references to taking off a girls little black dress, but I am sure they will get over it! LOL! The crowd continued to be extremely spare and I wondered if the owner lost a lot of money. He had set up a wonderful sound system and the facilities were excellent. I would definitely go back for Feaux Blood/Faux Blood II, if it ever materializes.
Kevin  Ford has an excellent facility, was a gracious host, and provided an excellent sound system. I enjoyed his staff and his hospitality. I am hoping that this festival can grow and become a regular event. I enjoyed walking around in the surrounding area to see children dressed up in their Halloween costumes doing the Trick or Treat thing. I had a wonderful time.

Papa Mali aka Malcolm Welbourne at the Ogden Museum 11/4/10

by Patty McGehee on Saturday, November 6, 2010
We slipped off this afternoon headed to NOLA at 3:45 p.m. The air was clear and a cold breeze blew me around while driving  on the Elevated highway above Manchac. The sun was shining extra bright after three days of storms nearly washed us away. We got in to the NOLA CBD at about 4:45. We parked and walked three blocks to get to the Ogden. It is a lovely museum. I marveled that it was across Camp street exactly where my father's automotive repair shop was in the 1960's. The building shop was in is still there and the lot where the wrecked cars used to be stored is now a parking lot. I don't remember the Ogden building looking like it does now at all. In fact, I found it impossible to remember what it looked like way back then. I had to give myself a break...1969 is a long time ago!

We waited about 20 minutes to go in. We were able to get a front row seat. Papa Mali started playing and the first song was uneventful. The second song, "The girls from Bossier City.." Well, that was spectacular! we spent an hour and 45 listening to the wonderful songs.

During a break during and question and answer session, I was able to ask Malcolm about the song he wrote named "Sugarland." I asked him what inspired him to write that song and just "how were you able to channel that "Mardi Gras Indian stuff" into that?"  He gave me a sweet smile and said that he wrote it because, " I  did a lot of driving in Texas on the highway  where Sugarland Texas is, and you know, that is one of the places where  Leadbelly was incarcerated, and I wrote it trying to  show the despair these people had to endure there. It is very ominous, not  a nice place. I started working on it in the studio and when Chief Monk Boudreaux and the Indians got involved singing the chants, the song took on a life of its' own."

I was so excited to ask him that. Then there were mentions of some of the people he had played with and how he had worked his way into working with his heroes and mentors, including George Porter Jr. and Bill Krautmann from The Grateful Dead.  He discussed his new CD that was released  just yesterday with his new band 7 Walkers.

He finished  up the concert with two  of our favorite songs, ending with a Dixieland standard, "Lay me down a Pallette," and one of my favorite songs written by  Professor Longhair. Lots of people mobbed him after the concert. We held back and just watched everything from afar. (One of the things he has done in the past was wow me with a whole Dixieland set at Chickie Wah Wah one night about  two years ago!)

I went outside to talk to the drummer, Robb Kidd. We had a nice visit talking about the drums and the songs we really liked. I told Robb, I had wondered if he could really pull off the drum licks on "Early in the Morning" live! I told him, "You did it! I told Dan yesterday I was not sure if a drummer could really play like that, that the studio mixer must have  sped  up the drum licks." We  had small talk about his kit and how he uses a Tom Tom on its side instead of a  bass drum and has it miked up very loud. I complimented him for playing with, what I call, "finesse." Just perfect nuance to his work. He is an amazing drummer, not at all just about being loud, but about being sophisticated. I got a kick how he had laid a tambourine on top of a cymbal
stack and it tapped it with his foot  making it shake just a tad, kind of the way Monk does it by hand!

Malcolm finished up selling and autographing  posters and came out. I got to speak to him again about  "Sugarland." He said that the song seemed to have a life of its own and he meant it to be very ominous. Dan asked him a hundred questions and he was good  about answering them. It was a pleasure to talk to him. We had to finally bow out and give him space. We thanked him and left all excited about what we had experienced.  What a night! Papa Mali shook my hand and  we said goodnight.

Papa Mali at the Ogden taken by Patty Mcgehee
Patty McGehee and drummer Robb Kidd